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Friday, July 6, 2012

Review: Sundance



Photo courtesy of Jesse Watts.


PERFORMANCES:
Saturday, July 7, 5:15 p.m.
Monday, July 9, 2:45 p.m.
Tuesday, July 10, 8:45 p.m.
Wednesday, July 11, 4:00 p.m.
Thursday, July 12, 7:00 p.m.
Saturday, July 14, 7:00 p.m.
VENUE:
Tarragon Theatre Extra Space (30 Bridgeman Avenue)
A hedonist and a moral absolutist walk into a saloon, and in doing so set the stage for M.Z. Ribalow’s quick-witted postmodernist Western satire. The hedonist is wild outlaw Jesse James, who kills for pleasure. The absolutist is Wild Bill Hickok, who kills to uphold honour and the law. Soon the pair are joined by an anarchistic Billy the Kid, and the trio trade theories on moral philosophy with the speed of expert gunslingers, or Greek philosophers with Texas twangs. Their war of ideas is cut short by the arrival of the mysterious Sundance, who seems to kill for no reason at all.
The banter in Sundance tends to be a little too quick, but the attentive viewer is bound to learn a thing or two about introductory philosophy in this wry twist on a classic genre. The performers embrace the briskly paced material with aplomb—particularly Geoff Kolomayz as the sleazy, drawling Jesse James, and Alexis Budd as a wheedling barkeep caught in the middle of this showdown of reason. Caution: very loud cap guns involved.
By Ryan West, The Torontoist, Toronto Fringe Festival Reviews, July 5, 2012.

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